Happy Birthday with Barelli & Co

[caption id="attachment_606" align="alignleft" width="208"] The front of the 1984 B-day card.[/caption] In 1984 Le Lombard asked Bob De Moor to create a 'Happy Birthday' card. It was one of several which he would make for Le Lombard in the eighties and would underline his good relations with the publisher. It's no coincidence that after he completed "Mortimer contre Mortimer" in

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When everybody starts to fool around in Barelli you get this

[caption id="attachment_598" align="alignleft" width="207"] The cover for Tintin, issue 43, 1950.[/caption] Update: we have been informed by Olivier Marin that the original black and white drawing as you can see in this article no longer exists as the owner of the drawing had it colored by a Studio Hergé colorist somewhere in the 80s. On 26 October 1950 the Tintin

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When a bump became too theatrical to be natural in Blake and Mortimer

[caption id="attachment_594" align="alignleft" width="249"] The original final case on page 7.[/caption] In the first edition of the Blake and Mortimer album "Professor Sató's Three Formulae, Volume 2: Mortimer vs. Mortimer" (1990) Bob De Moor drew the last case of page 7 in a rather awkward way. You can see Captain Francis Blake running into 2 other people, but something just

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“Marilyn et Staline vont en Avion” with Bob De Moor and Tintin (part 1)

[caption id="attachment_580" align="alignleft" width="300"] The frontcover of the booklet[/caption] In 1985 'Le Théâtre de l'Esprit Frappeur' produced the comedy-musical "Marilyn et Staline vont en avion". The piece was written by Thierry van Eyll and François Rauber and directed by Albert-André Lheureux with music by François Rauber. It played at the Brussels -based Botanique venue and had a 20-page booklet with a

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An original cover for Sterke Jan / Conrad Le Hardi, and fear of plagiarism

[caption id="attachment_565" align="alignleft" width="247"] You'll notice that originally the moon was placed behind Sterke Jan holding up the timber after which De Moor moved it to the left.[/caption] In 1950, Karel Van Milleghem, the energetic editor-in-chief of Kuifje, the Flemish (dutch written) version of the Tintin weekly, asked Bob De Moor to adapt the Constant de Kinder novel "De wonderlijke lotgevallen van

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Bob De Moor poster for ‘Tonnerre De Brest, Silence! – L’âge d’or de la BD Belge 1929-1950’ film + Edgar P. Jacobs armed at the cinema

[caption id="attachment_553" align="alignleft" width="237"] Copyright © Hergé / Moulinsart[/caption] Bob De Moor has done more filmposters than the one for Robbe De Hert's "Janssen and Janssens" in 1989. 5 years earlier, in 1984, he made the filmposter for "Tonnerre De Brest, Silence! - L'âge d'or de la BD Belge 1929-1950". The belgian film, directed by Armand Zaninetta and Didier Bastien,

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Bécassine à la Bob De Moor, previously unreleased

Bécassine as Bob De Moor visualized it - Copyright © Family De Moor In 1962 (1963?) Bob De Moor was asked to take over the popular French Bécassine series. Although he completed several test drawings, Hergé objected to Bob De Moor's plan to pursue the series. Eventually, Bob De Moor would decline the offer (pressured by Hergé). This morning Luc De Meulenaere, husband

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