A week ago Alain Demaret passed us a black/white version of the “Le Seigneur de Gonobutz” (“The Lord of Gonobutz”) album as prepublished in Le Soir. We presume this was in 1976 as there was also a prepublication of the story in Journal Tintin of 1976. This black and white publication had quite some hick-ups. Today we’ll discuss one already, namely 2 text balloons which remained empty, until 1983.
The page we discuss is page 26 of the Bob De Moor‘s “Le Seigneur de Gonobutz”, more precisely the 3rd frame of the 3rd strip on that page where you can see a grandma shooting at militaries whilst her two grandchildren are cheering. Cheering we said? In the Le Soir version there is no text in the text balloons.
And there wasn’t one either in the Journal Tintin as far as we know (we don’t have that particular issue in our archives – if someone has that issue, don’t hesitate to let us know).
The text from these text balloons is also missing in both the Rijperman and Bédéscope versions as published in 1980 and would only pop up in 1983 in the very correctly released Barelli compendium as published by Rombaldi. The text font however was different to the one used in the rest of the story.
So for 7 years, nobody knew what those kids were exactly cheering. The missing lines are “Vas-y mémé!” and “E’core pan-pan!” which you could freely translate as “Go ahead grandma!” and “Shoot again!”. The “E’core” was used to stress that the kid is really young and doesn’t yet know how to speak well French in this case, because the correct word should be “Encore”.
Note that the BD Must version as released in 2011 includes the correct text balloons. In later posts we’ll show you that there is more to this Le Soir version which is a bit odd to say the least.
A week ago or so, I stumbled on a small website for local sales and much to my surprise I saw someone offering a selfmade scrapbook of Bob De Moor‘s “Barelli à Nusa-Penida” (volume & & 2) newspaper clippings in black and white (without the heading unfortunately). The price was so low (8 euro to be exact) I couldn’t believe what I saw. I quickly decided to get hold of it and after a 2 weeks wait the packet arrived this morning.
Sadly enough the seller couldn’t provide more info on when or in what title it had been published (although it’s probably from Le Soir), plus there is no trace this Barelli story was ever announced with a separate drawing. The only thing that is sure is that it is from a french written newspaper and that each issue of the newspaper had 1 page of the Barelli double story (if anyone out there knows more, please let us know). Each story counts 30 pages, which corresponds with the Bédéscope / BD Must version, and not the extended version which Bob De Moor made in the eighties (1982-1983) for Le Lombard to fit the 44 page format Le Lombard requested. Due to the ’80s extension the original end of part 1 of the “Nusa Penida” story was replaced by ending the first volume on page 14 of the 2nd volume. It also doesn’t correspond with the slightly longer Tintin Journal or Rombaldi version (both counting 62 pages).
The “Nusa Penida” story has undergone quite a lot of re-cuttings from the original as Bernard De Gioanni already showed in his defunct Bob De Moor blog. The page as shown on the left was omitted from the versions as we know them. Note that only the last strip was witheld for publication, hence why the drawing is cut off. However, that page does appear in the pre-publication in the Tintin journal and in the Rombaldi album of Barelli (“Collection des meilleures histoires de Tintin” 1983) which you can actually still buy on Amazon. Be fast though, I guess that after reading this article several will want to get hold of it. You can find back a trace of this ‘découpage’ in this newly found version (and in the BD Must and Bédéscope version), namely on the 7th page of volume 2. There you can see that it’s numbered with a 39, whereas it should be 37 if it had followed the re-cut numbering.
To make it even more complicated, this black and white version shows at least one difference with the BD Must version too, and that is the case legend which is on page 1 of volume 2 of “Nusa Penida”. The version in the black and white version is longer and explains how both have been on the ocean for weeks – and not days like in the version from BD Must and Bédéscope.
So in total that results in:
The Tintin Journal: 62 pages with 3 special frontcover artworks for announcing the story
The Bédéscope version: 60 pages with different covers to the ones used in Tintin (you’ll notice for instance that the one with the sailing boat for Tintin was slightly re-designed from the original with inspector Moreau now watching towards the reader and not towards the boat, plus Barelli’s haircut was ‘upgraded’)
The Le Lombard version: 88 pages with new pages, other cover artwork for both volumes and original pages that are not included.
The Rombaldi version: 62 pages with 1 cover, namely the Le Lombard one with Barelli doing a Tarzan (yes, it does get complicated)
The BD Must version: 60 pages with 2 ex-Libris included and same covers as the Bédéscope ones
This black and white version: 60 pages with a different text case on page 1 of the second volume compared to the BD Must version.