Tag Archives: Anne Nannah

Barelli dissected – the sketch and the final version of ‘Barelli in bruisend Brussel’ (part 1)

Geert De Sutter sent us a few scanned pages of the preliminary sketches Bob De Moor made. The scans exist because Bob De Moor always asked that Geert De Sutter would make A3 copies of the sketches before to start working on them. The page we show you today is the first page of the “Barelli in bruisend Brussel” album.

The initial sketched page is on the left, the final version is on the right.  Click to see the bigger version.
The initial sketched page is on the left, the final version is on the right. Click to see the bigger version.

The first thing you’ll notice is that the story is originally written in Dutch unlike the other Barelli albums which were originally written in French (and often not well translated into Dutch).

The page composition is already complete and also the characters are all placed on the page. The decors are not worked out, that will be the job for Geert De Sutter.

There are a few things though that have changed. In the first frame you see that Bob De Moor added an arrow to move the newspaper article up because the text that he wanted to add would never fit correctly in the frame. Note also that Anne Nannah is called Anna Nash here. The text itself in the news article is more or less the same although you’ll see a progressive spelling for the word ‘theater’; Bob De Moor uses ‘teater’, without the ‘h’. You also see this in the second frame where De Moor is again using the more progressive spelling, this time for the word ‘acteur’ (actor in English); he uses ‘akteur’ with a ‘k’. Note also that he had it replaced by ‘artiest’ but then reused the word ‘akteur’.

The rest of the page holds nu differences, except for the last 2 frames. You’ll see that the stickers weren’t added originally and that the objects jumping out of the luggage are a bit more diverse in the final version.

Also interesting is the text written in the left upper corner of the page. You can see the following text written by Bob De Moor: “22 Okt. verschijnt teksten geitenrijders reportage eind september”. The text itself is not really grammatically correct but it’s an interesting note, because De Moor refers to “De geitenrijders” which was the original name of the 1956 album in the Snoe & Snolleke series. The album would indeed be published in 1989, a year after this note was added via Casterman but under the title “De zondebokken”.

Bob De Moor congratulates Christiane & Charly in 1990!

On September 22nd 1990, Christiane De Meulenaere & Charly Collin married and especially for the occasion Bob De Moor created a drawing which was used to congratulate the newly wed couple. The connection with the family De Moor is the following, Christiane De Meulenaere is the sister of Luc De Meulenaere, husband of Annemie De Moor, daughter of Bob De Moor (thanks to Luc for clearing that one out)

Only Monsieur Tric and Balthazar are missing...
Only Monsieur Tric and Balthazar are missing…

We found the invitation back in the archives of Olivier Marin (yes, it’s a name that will pop up regularly as his has quite a nice collection of rarities concerning Bob De Moor).

On the drawing we find Barelli and Anne Nannah; Cori; Snoe, Snollke and Oncle Zigomar. While Barelli has a ribbon with two hearts in his hands (having the letter C printed on both), Anne Nannah is carrying a bouquet of flowers. Cori decided to bring along a small miniature ship and Snoe & Snollke carry a present. Oncle Zigomar from his side is holding a huge heart shaped garland decorated with flowers and the inscription Christiane 22-9-2-1990 Charly. Missing are Monsieur Tric and Balthazar.

The drawing was signed Bob De Moor and is quite a rarity, so if you find one, don’t miss the opportunity to get one for your own collection!